The multiplicity of demands and claims in ultra-pluralistic societies complicates the search for justice. Furthermore, the normative force of competing ideals gives rise to an aporia at the heart of the idea of justice’s federating force. In this article, I argue that exemplary moral and political acts evince these ideals by reason of their fittingness with respect to the demands of the situations to which they respond. As such, these acts lay claim to their normative value by exemplifying the “rule” (...) that each act summons. Drawing upon aesthetic experience’s lateral transposition onto the planes of ethics and politics, I show how imagination is operative in practical judgments. Accordingly, I relate the search for justice to an eschatology of non-violence, which for Paul Ricœur takes the place of the critique of ideology in its opposition to an ontology of lingual understanding. (shrink)

Bien que la dichotomie classique homme/animal continue de sous-tendre la pensée scientifique occidentale, la génétique moléculaire prouve que les humains sont bien plus proches des chimpanzés et des bonobos que ne pouvaient le supposer les chercheurs en se fondant seulement sur l’évidence anatomique, il y a quelques décennies. Le degré de similitude de l’ADN entre humains, bonobos et chimpanzés autorise à nous classer tous trois comme espèces-sœurs. Ce qui signifie, aussi étrange que cela pui..

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Simone de Beauvoir: The Making of an Intellectual WomanCatharine Savage BrosmanSimone de Beauvoir: The Making of an Intellectual Woman, by Toril Moi; xii & 324 pp. Oxford: Blackwell, 1994, $54.95 cloth, $21.95 paper.Eschewing linear patterns and other conventional ways of writing lives, feminist critic Toril Moi has undertaken instead to construct a “personal genealogy” of Beauvoir, using notions derived partly from Michel Foucault and Pierre Bourdieu (Jacques (...) Lacan and Freud are cited likewise). This manner of understanding what the French existentialists called the human project seeks “to achieve a sense of emergence or production and to understand the complex play of different kinds of power involved in social phenomena” (p. 7). The human subject is viewed as a product of forces; individual choice—emphasized continually, and probably excessively, by existentialists—is secondary. All types of evidence, not only writing, are considered germane: social institutions and the subject herself are “text,” part of a “discursive network” (p. 5). The point is to illuminate Beauvoir’s “speaking position” (p. 9) and what it means, for herself and others, and concurrently to explain the rather low disregard in which she appears to be held in France presently.The chief social factor identified is, not surprisingly, what is called the patriarchal order, which Moi sees even today as powerful enough to threaten thinking women’s chances for fulfillment. “Displaying a pernicious imagery of ugly bluestockings and dried-up spinsters, patriarchal ideology seeks to enforce the split between body and mind with particular rigor in the case of intellectual women” (p. 256). Cited in this connection are novels by Germaine de Staël and George Eliot; but, although Eliot influenced the young Beauvoir, these nineteenth-century models pertain little to today’s situation in America and England, for instance (where Moi, a Norwegian, has resided). But Moi needs to believe that such strictures still operate, in order to argue for Beauvoir’s unique position as “a mythological figure, an imago that has made its presence felt in the thoughts and dreams of every intellectual woman in the Western world since the early 1950s” (p. 5)—a claim no less absurd for being unoriginal.The study investigates three “moments” or crucial questions. The first is Beauvoir’s discovery in 1929 (justified or not, and made chiefly perhaps through sexual desire) that she was intellectually inferior to Sartre, despite her stellar academic performance; this led to her positioning herself as second among equals. Moi explores this momentous choice in personal and sociological terms, examining the French academic establishment that formed her and asking what it meant to be a woman agrégée in philosophy, in love with a brilliant man.The second major topic is Beauvoir’s writing itself, as it springs from and refers to her self-image, especially in She Came to Stay and The Second Sex. The former provides telling evidence of what happens when an intelligent woman persuades herself that her lover considers her an equal, whereas actually the [End Page 417] authority remains his. Moi views this novel as more revealing, although oblique, because it is more affectively nuanced and apparently genuine, than direct accounts in Beauvoir’s memoirs of the triangle involving her, Olga Kosakiewicz, and Sartre. The Second Sex—said to be unrivaled in any field in this century, in terms of influence—is examined in light of Beauvoir’s tardy revelation in the 1940s (if one believes her) that being a woman meant something different from being a man. Beauvoir’s understanding of woman’s position is compared to Sartre’s (expressed in fiction and essays, and deduced from his behavior) and to Frantz Fanon’s concept of racial oppression.Lastly, Moi focuses on the bitter conclusion to Force of Circumstance, in which Beauvoir confesses, in her fifties, feeling cheated by life. The problematic quality of this admission can escape no one, in light of her repeated assertions elsewhere that her relationship with Sartre—central to her self-image—constituted an unreserved success, involving utter transparency and union of thought. Moi studies this in terms of other statements—some by Sartre—and Beauvoir’s true accomplishments, and shows how Beauvoir’s... (shrink)

The global education crisis is a complex problem that requires change from teachers, school managers, civil society, implementers, planners, governments and donors. Addressing the issues that lie beneath this crisis requires new ways of working. Systems thinking is a suite of approaches to grappling with complex problems that is beginning to gain traction in international education. This innovative book brings together new research in the nascent field of systems thinking in international education to exemplify how systems thinking offers the tools, (...) frameworks and concepts to improve outcomes in education systems. (shrink)

A partir do sistema político-filosófico de Jean-Jaques Rousseau, o objetivo desteartigo é iniciar uma possível compreensão genealógica acerca da relação entre o bemcomum e o bem de si mesmo. Através de uma análise parcial do arcabouço teóricoconceitualsobre a natureza humana e do modelo de soberania popular e deestruturação da sociedade civil proposto pelo filósofo, será posta em discussão arelação entre a vontade geral – que sempre quer o bem comum – e as vontadesparticulares – que sempre buscam o bem de (...) si. Concluí-se que, para Rousseau, saberconformar as vontades particulares à vontade geral é uma exigência da virtude moral,além de ser uma necessidade incontornável para a manutenção do pacto social de umpovo soberano.Based on Jean-Jaques Rousseau’s political and philosophical system, the goal of thisarticle is to begin a possible genealogical understanding about the relation betweencommon good and private good. Through a partial analysis of a theoretical andconceptual framework about human nature and of the model for popular sovereigntyand for the structure of civil society proposed by the philosopher, this work willbring into discussion the relation between the general will, which always seeks thecommon good, and the private will, which in turn seeks only the private good. ForRousseau, knowing how to conform the private wills for the general will is a requirement by moral virtue and an indispensable necessity to sustain the socialcontract of a sovereign people. (shrink)

This paper deals with the dialectic “nature/culture” in the thought of José Ortega y Gasset and related to the ideas of salvation and tragedy. Justify the elaboration of his article in the fact that this topic has not been studied in-depth through the complete works of the philosopher of the vital reason. The results/conclusions are the following ones: In a first period, it stands out the primate of culture in Ortega´s thought, who considers the last one as saviour and also (...) as something antagonistic in relation to the more instinctive and irrational nature of the individual human being as a member of humanity. We can say that submission to natural inclinations, that symbolize our barbarous, irrational and savage side, appears in Ortega’s early writings as a form of tragedy or “radical evil” ; on the other hand, in his latter thought those ones will be interpreted by Ortega not in negative terms, but as something in continuity with culture, which can became a form of tragedy. (shrink)

Should we preserve nature or revolt in order to protect “the living” (“le vivant”)? At first sight, this invites a comparison between two ways and means of protecting nature. However, this article will defend the thesis that these two methods of protecting nature do not rest upon the same conception of our position, as human beings, towards the living. Indeed, in the end, we find an underlying opposition between nature, conceived as savage or as radical alterity (often inspired by (...) the culturally loaded notion of wilderness, as found in the politics of preservation of vulnerable natural spaces) and the notion of “the living.” I intend to use the concept of the living in order to emphasize “ordinary nature” and our strong connection with all other living things. This reflection will enable me to defend the connection between the fight for environmental justice (namely revolt or resistance movements on the part of the poorest populations defending their living environment and their resources against an unequal production system) and the struggle for the protection of vulnerable living spaces and species. (shrink)

This article is a study of the trajectory of the contemporary French liberal philosopher Marcel Gauchet from his early, ‘anarchist’ commitments through the 1970s to his discovery and defense of liberalism, notably as expressed in his 1980 revival and interpretation of his 19th-century countryman Benjamin Constant’s post-revolutionary liberalism. Discussed in the article are Gauchet’s devotion to and revision of the portrait of primitive society he inherited from the French anthropologist Pierre Clastres, how his early political and theoretical concerns are transmuted (...) in Gauchet’s reading of Constant, and the relevance of this trajectory for comprehending even Gauchet’s most recent pronouncements about the nature and future of liberal society. (shrink)

I argue that (i) even though Adam Smith’s four stages theory has been criticized with good reasons as both vitiated by undue generalization from modern Europe to the first stage and made bottom-heavy by assumptions of modern episteme, yet, in his writings an alternative view emerges where the savage is not just crushed under the weight of want and isolation but is endowed with imagination and sympathy; (ii) his picture of the fourth stage is, far from a triumphal apology (...) of Capitalism, a tragic diagnosis of an inner tension between ambition and greed and their unintended beneficial effects; (iii) the tensions in the picture are not just a report of tensions out there, but also depend on Smith’s pre-comprehension of the phenomena he tries to account for; (iv) and yet, the tragic character of this picture is to be credited to his integrity; I summarize peculiarities of Smith’s peculiar outlook, post-empiricism, as well as its potentialities (sect 2). I then reconstruct his view of development of language and science, suggesting that his theory of association of ideas and imagination provides a consistent account of both science and lore, yielding a comparatively less ethnocentric evaluation of the savage mind (sect. 3). I reconstruct his virtually twofold reconstruction of subsistence in the rude and early state, arguing that he tends to ascribe inability to evolve to want and isolation and describes his own view of evolution as a necessary path but also that in several passages imagination and sympathy do play a role also for the savage (sect. 4). I compare Smith’s view of the first stage with his diagnosis of commercial society arguing that his reconstruction is burdened by eighteenth-century ideology as well as by modern episteme and I conclude with an ambivalent appraisal of Smith’s comparison between the polished man and the savage. -/- . (shrink)

In this article I argue that Thomas Hobbes’s theory of the “state of nature” should be understood as describing a thoroughly political situation. Hobbes’s exemplification of the state of nature by resorting to the “savages” of America should be taken in its ultimately paradoxical character, one that puts in question the stark opposition between a prepolitical natural state and the properly political state resulting from the “social contract.” Through the lenses of ethnographic studies and anthropological theory, I propose a reinterpretation (...) of Hobbes’s characterization of the state of nature as a state of war. In the first section, I present my interpretation of Hobbes’s understanding of war, arguing that war is characterized not by actual battle but by the uncertainty of conflict, already entailing a social dimension to it. In the second section, I engage with Pierre Clastres’s theory of the society against the State to discuss how, for Amerindian peoples, war not only has a social character but is itself the basis of sociality. In the last section, I discuss Eduardo Viveiros de Castro’s theory of potential affinity to propose that Hobbes’s state of nature is also a form of schematization of alterity as enmity. I conclude by showing how this provides an understanding of peace as a precarious situation, one that is the outcome of ethical practices ultimately independent from the State. (shrink)

De Finetti's treatise on the theory of probability begins with the provocative statement PROBABILITY DOES NOT EXIST, meaning that probability does not exist in an objective sense. Rather, probability exists only subjectively within the minds of individuals. De Finetti defined subjective probabilities in terms of the rates at which individuals are willing to bet money on events, even though, in principle, such betting rates could depend on state-dependent marginal utility for money as well as on beliefs. Most later authors, from (...) Savage onward, have attempted to disentangle beliefs from values by introducing hypothetical bets whose payoffs are abstract consequences that are assumed to have state-independent utility. In this paper, I argue that de Finetti was right all along: PROBABILITY, considered as a numerical measure of pure belief uncontaminated by attitudes toward money, does not exist. Rather, what exist are de Finetti's `previsions', or betting rates for money, otherwise known in the literature as `risk neutral probabilities'. But the fact that previsions are not measures of pure belief turns out not to be problematic for statistical inference, decision analysis, or economic modeling. (shrink)

The article reconsiders a historical example of thinking about otherness. The example is the Essays by Michel de Montaigne, a piece of work from the early modern times which undermines the interpretation of the contemporary times as a modern age, i.e. supposedly more open, less dogmatic, and less hostile towards strangers. Four figures of otherness are taken into account: an infidel, a “savage,” a woman, and an animal, proving Montaigne’s particular openness. It turns out that the Essays induce a (...) contemporary man to revise his sense of historical superiority in regard to men from the previous centuries; they also let him develop a more just relationship with others of the present times. (shrink)

The text focuses on reflecting on the role of modern university in a man intellectual development, starting from Nietzsche’s ideas. By drawing up some of the main methodological and philosophical concepts of the German philosopher, the text highlights a series of aspects on the Humboldian nature of current universities – a state of tension under the political, economic and social factors. Thus, the classic concepts of Bildung and Kultur specific to the XIX-century University are analyzed in relation with the crisis (...) that marked the Prussian state of Bismarck period. Higher education being available to the masses is a current problem Nietzsche didn’t avoid to call „savageness” and „decline” of the higher educational system. The purpose of the text is to point out if Nietzsche’s ideas can be still applied nowadays. (shrink)

Les fondements de la théorie du choix rationnel, dans ses multiples déclinaisons (économie théorique, théorie de la décision, théorie des jeux, théorie de l'action que l'on trouve au cœur de la philosophie analytique, etc.), ne sont plus aussi assurés en cette fin du XXe siècle qu'ils semblaient l'être durant, ou immédiatement après, la Seconde Guerre mondiale, lorsqu'un John von Neumann ou un Leonard Savage en posaient les prolégomènes. A la source des difficultés présentes, on trouve l'ambition croissante de la (...) théorie du choix rationnel d'expliquer, et surtout de fonder, des phénomènes très éloignés du champ à l'intérieur duquel elle s'était d'abord confinée. Le défi le plus grand que le choix rationnel s'est fixé à lui-même est de rendre compte de la possibilité du jugement moral dans un monde d'individus isolés, autonomes et intéressés (et notamment de la promesse, de l'engagement, du contrat, de la parole donnée et tenue, de la menace, de la dissuasion crédible et efficace). C'est en tentant de relever ces défis que les théoriciens ont rencontré sur leur chemin, comme autant d'obstacles inattendus, des paradoxes redoutables. Ce livre présente les recherches les plus récentes dans le domaine. Il s'en dégage la thèse que le paradigme de la rationalité est radicalement incomplet. L'idéal de transparence qui est au cœur de la théorie du choix rationnel est incapable de venir à bout de l'extériorité et de l'opacité du collectif. Si elles ne prenaient appui sur des références extérieures qui les guident en les " poussant ", les interactions entre acteurs rationnels seraient en général incapables de produire à elles seules quoi que ce soit de déterminé. Les recherches ici présentées s'attachent à définir ce que sont ces dispositifs collectifs cognitifs qui encadrent et servent de support aux décisions individuelles. Elles s'inscrivent dans cette synergie entre sciences sociales, sciences cognitives et philosophie qui renouvelle aujourd'hui les sciences de l'homme. (shrink)

This paper has two aims: first, to present succinctly a variety of problems in the philosophy of culture that Nietzsche’s work deal with. To this end, the author will analyze several issues that arise when Nietzsche’s original terms are translated into Spanish. Moreover, the author will discuss the contributions of two major French scholars in this area: E. Blondel and P. Wotling. The second aim of this paper is to focus on the configuration of the myth of the savage (...) in The Birth of Tragedy, Nietzsche’s opera prima, a complex and rich work. (shrink)

The state of nature is a fundamental concept of modern political philosophy. As such, it is particularly associated with Thomas Hobbes’ and Jean-Jacques Rousseau’s work. As the following article shows, the state of nature is not simply an auxiliary construction [Hilfskonstruktion] for a theory that aims to clarify the relation between the political order and its origins and normative principles. It is also a figure of thought that introduces colonial images into political philosophy. The following reading of Hobbes and Rousseau, (...) which also draws on image analysis, traces how their conceptions of the state of nature are constitutively linked to imaginations of the savage that emanate from contemporary colonial discourses. Moreover, by comparing the writings of Hobbes and Rousseau it becomes apparent that the colonial difference increasingly takes on a systematic relevance. This development further contains significant similarities with the changing use of gender differences in political philosophy. (shrink)

This paper aims to present and discuss Guy Debord and the Situationists' conception of culture. In doing so, it is necessary to clear up a few misconceptions from the outset: contrary to appearances, they do not advocate an anti-cultural attitude. Contrariwise, we are at the antipodes of “Neo‑primitivism". When Debord asserts his rejection of contemporary “Neo‑primitivism”, this is akin, in Schillerian language, to rejecting the position of the “savage”, as depicted by Rousseau in his canonical romantic portrait. In the (...) same language, we should also say that Debord rejects the opposite position, that of the "barbarian", who destroys life and sensibility in favour of abstractions. (shrink)

El artículo indaga acerca de la poética del movimiento mexicano “Infrarrealista”, así como sus principales influencias estéticas y literarias, tanto nacionales como internacionales. Para ello se analiza la novela de Roberto Bolaño: Los detectives salvajes, como una reescritura autocrítica que realiza el autor a su propio proyecto poético varios años después de que este fracasara en su intento por aliar arte y vida. This article investigates the poetry of the Mexican movement “Infrarealism”, as well as its main aesthetics and literary (...) influences, both national and international. In order to do so, Roberto Bolaño's novel, The savage detectives, is analyzed as an selfcritical rewriting realized by the author to his own poetic project, several years after its failure in his attempt to fuse art and life. (shrink)

Un fait divers, l'apparition en 1764 d'un homme prétendument sauvage dans les forêts de Königsberg, fournit à Kant et Hamann l'occasion d'une confrontation de leurs points de vue sur l'intelligibilité de la naturalité et de la f actualité humaines. Parue dans la Gazette politique et littéraire de Königsberg sous la forme de deux articles, cette confrontation dépasse vite l'anecdote pour conduire à la divergence de deux voies, celle implicite de Hamann, l'interprétation théologique, et celle encore « en germe » de (...) Kant, l'application de la méthode expérimentale à l'anthropologie. A singular event — the appearance in 1764 of a so-called “savage man” in the forests of Königsberg — gave Kant and Hamann the opportunity to taste their points of view concerning the intelligibility of both naturality, and human factuality. This confrontation, which appeared in the Political and Literary Gazette of Königsberg in the form of two articles, goes rapidly over the anecdote to arrive at a parting of the ways — that of Hamann : the theological interpretation; and that of Kant the application of experimental methodology to anthropology. (shrink)

This is the second volume of the author's ambitious attempt at outlining the history of the dogma of original sin from its beginning to our days. The reader of the first volume witnessed a concerted attack against the dogma and especially against its Augustinian formulation. The second volume deals with perhaps the most obscure period of this dogma's development: the one between the fifth and the eleventh centuries. In the West—thanks to Augustine's undisputed authority—the dogma became accepted as an integral (...) part of Christian theology, even though those theologians of the Dark Ages tried to "humanize" its original, savage formulation. The Christian East, however, would never have accepted it, and took a rather ambiguous position towards the meaning of the "curse of Adam." This is, briefly, the author's thesis, and to prove it he marshals an impressive array of quotes and references, fruits of a wide and often really impressive scholarship. Yet, the whole book is written in the same spirit of crusading, shallow rationalism as was the preceding volume. The speculative issues are not really treated and the whole work lacks that synthetical approach which is so indispensable for an enterprise of such magnitude.—M. J. V. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Men with Muskets, Women with Lyres: Nationality, Citizenship, and Gender in the Writings of Germaine de StaëlSusanne HillmanOn 23 May 1812 Germaine de Staël (1766–1817), Europe’s best-known enemy of Napoleon Bonaparte, set out from her estate on Lake Geneva to escape to England. In her reminiscences, she reflected on the pivotal event as follows:[A]fter ten years of ever-increasing persecutions [...] I was obliged to leave two homelands as a (...) fugitive, Switzerland and France, by order of a man less French than I. For I was born on the banks of the Seine, where his only claim to citizenship is his tyranny. He saw the light of day on the island of Corsica, practically within Africa’s savage sway. His father did not, like mine, devote his fortune and his sleepless nights to defending France from bankruptcy and famine; the air of this beautiful country is not his native air; how can he understand the pain of being exiled from it, when he considers this fertile land only as the instrument of his victories. [End Page 231] Where is his patrie? It is any country that accepts his domination. His fellow-citizens? They are whatever slaves obey his orders.1In this passage, de Staël deliberately links nationality and citizenship. In her view, citizenship status was acquired simply by being born on French soil. Her family’s tireless labors on behalf of the nation added another irrefutable proof of Frenchness. In addition, growing up in France and breathing the country’s invigorating air had created an emotional attachment that a person raised elsewhere simply could not fathom. We thus have a triad of birth/service/sentiment that connects the deserving individual to his or her nation (in this case la grande nation).In this essay I explore de Staël’s understanding of the twin concepts of nationality and citizenship through the lens of gender. Nationality and citizenship were of perennial concern to her thought, partly because of the turbulent times she lived in, partly because of her personal experience in exile. Influenced by history and literature, she early on admired the gallant men with muskets who heroically sacrificed their lives for the glory of the nation. But it was the exceptional women with lyres who were destined to act as the nation’s unifying agents by recreating the gallants’ deeds in writing. By imagining the nation these women fulfilled the supreme task of citizenship. In what follows I will argue that de Staël conceived of the ideal citizen as a woman writer or artist who served her nation by inspiring its members with enthusiasm and virtue.2 In elaborating her view of the superior woman as citoyenne and national muse she made an important contribution to the debate on the nation and the citizen.The only daughter of Louis XVI’s finance minister Jacques Necker and the salonnière Suzanne Curchod-Necker, of Genevan and Vaudois citizenship respectively, de Staël gained fame and notoriety through her brilliant conversational talents, political intrigues, and unconventional relationships with famous men. Though she considered herself a “true Frenchwoman” (véritable française),3 she was a citizen of Geneva and a Swedish subject by marriage, at least until 1803 when she took advantage of the Code Civil [End Page 232] and officially claimed French citizenship.4 Considering this multiplicity of conflicting loyalties, it is not surprising that her major writings reveal a sustained preoccupation with these issues.Despite their undeniable significance for early nineteenth-century European intellectual history, historians have so far devoted scant attention to de Staël’s writings. In fact, in the US, Staëlien studies have largely been dominated by literary criticism and theory.5 This has had the effect of prioritizing her novels over her non-fiction, downplaying the historical context of her oeuvre and, most grievously, ignoring de Staël’s historical contribution to socio-political thought.6 As a result of the complex ways in which her personal experience informed her writing, her oeuvre is best examined as a unified, though certainly inconsistent, whole. Her writings were rarely “products of intense deliberation, but rather reflections... (shrink)

This essay works to bridge conversations in philosophy of education with decolonial theory. The author considers Margonis’ ( 1999 , 2011a , b ) use of Rousseau ( 1979 ) and Heidegger ( 1962 ) in developing an ontological attitude that counters social hierarchies and promotes anti-colonial relations. While affirming this effort, the essay outlines a coloniality of being at work in Rousseau and Heidegger through thier reliance on the colonial conceptualization of African Americans and Native Americans as savage (...) and primitive. The essay turns to decolonial theory and the work of Maldenado-Torres (Cult Stud 21(2–3):240–270, 2007 , 2009 ) to highlight how a decolonial attitude complicates, yet enriches Margonis’ philosophical framework. (shrink)

We are in 1563, somewhere on a Brazilian beach about 100 kilometres north of what is now São Paulo. A young man in a cowled robe alone on the beach is writing a poem on the sand with the point of his stick. The hostage of a savage tribe for weeks, he struggles daily against manifold carnal temptations, personified in the voluptuous native women who come to visit him every evening in his hammock, and addresses his Latin verses to (...) the Virgin Mary in order to fortify his virtue. The threat of being killed and eaten by cannibals is nothing to him by comparison with the loss of his virginity. Recourse to his own original culture is the ultimate bulwark against contamination, the sign of resistance and strengthening of his identity. The definitive rejection of the Other is, in these circumstances, a survival reflex. (shrink)

Against the impression that Rousseau is an eclectic thinker, this paper is an attempt to reconstruct the systematic core of his anthropology. First, I discuss the methodological starting-point. Second, I develop the structural framework required to make the concept of nature operative as an ideal within social contexts. Finally, I interpret Rousseau's genetic account in terms of this framework. Such a procedure allows me to solve two interpretative problems, the aporia of the origin of wickedness and the question of man's (...) natural isolation. A twofold notion of logic is introduced to integrate the demands of history and structure, which overlap with those of freedom and necessity in Rousseau's thought. This organizes my argument in a mirror-like way. I call this undertaking an essay, for it is the endeavor to think what Rousseau must have thought in order to write what he wrote. Key Words: amour de soi • amour propre • bourgeois • ego sentio • human make-up • human nature • natural as ideal • other-centered • savage • self-centered • totalities of feeling • totalities of needs. (shrink)

Marc Richir ha mostrado en obras recientes la importancia de un análisis fenomenológico de las relaciones complejas entre fantasía, imaginación y afectividad, a fin de descifrar nuestra “demasiado humana” naturaleza. La terra incognita que se deja contemplar desde tal encrucijada de conceptos es difícil de analizar y plantea el reto de comprender que no podemos “medir” nuestra “condición humana” sin tomar en consideración las dimensiones imaginativas y afectivas, las fronteras de la razón, los puntales de la institución simbólica, la presencia (...) savage y no perceptible de la Stimmung. En este particular contexto no es un detalle, a nuestro parecer, la referencia hecha por Richir a Maine de Biran; pues él cree que Biran es el filósofo que “mejor que ningún otro, y mucho antes de Heidegger” comprendió y analizó con mayor rigor las singulares características de esta terra incognita (“continente perdido”, dice Biran) de la Stimmung, de las tonalidades, variaciones y erupciones, afectivas. Este ensayo pretende subrayar los puntos fundamentales de la posición de Richir al respecto, pero también, y sobre todo, mediar en la contribución de Maine de Biran a la comprensión de la tonalidad siempre bizarra que baña al mundo cuando nos aparece en su Jemeiningkeit. (shrink)

For Savage (1954) as for de Finetti (1974), the existence of subjective (personal) probability is a consequence of the normative theory of preference. (De Finetti achieves the reduction of belief to desire with his generalized Dutch-Book argument for Previsions.) Both Savage and de Finetti rebel against legislating countable additivity for subjective probability. They require merely that probability be finitely additive. Simultaneously, they insist that their theories of preference are weak, accommodating all but self-defeating desires. In this paper we (...) dispute these claims by showing that the following three cannot simultaneously hold: (i) Coherent belief is reducible to rational preference, i.e. the generalized Dutch-Book argument fixes standards of coherence. (ii) Finitely additive probability is coherent. (iii) Admissible preference structures may be free of consequences, i.e. they may lack prizes whose values are robust against all contingencies. (shrink)

Dans la deuxième moitié des années 1980 s’est développée, dans l’ensemble du champ de la culture, une véritable esthétique de la bêtise. Quelques jeunes critiques d’art se sont alors emparés du phénomène et ont tenté de le théoriser, entre 1994 et 1998, dans les revues les plus lues de l’époque : Flash Art International, Artpress, Frieze. L’étude de ce corpus d’articles (signés par Joshua Decter, Éric Troncy, Jon Savage, Andrew Hulktrans et Jean-Yves Jouannais) témoigne à la fois des mutations (...) de la critique d’art de l’époque et de l’enjeu que représente alors l’art délibérément bête. On remarquera que la critique d’art se fait alors critique culturelle : elle regarde peu les œuvres, réduites au statut d’illustrations et d’arguments visuels. On s’interrogera également sur la place que les revues d’art contemporain ont accordée à la culture populaire médiatique la plus régressive du temps. Beavis & Butt-Head, Melrose Place ou encore Alerte à Malibu ont été ainsi disséqués dans les colonnes d’ Artforum ou de Flash Art. Alors que les œuvres d’art estampillées « art contemporain » donnaient lieu à des analyses étonnamment sommaires, ce sont les séries télévisées et les dessins animés qui ont conduit aux analyses les plus stimulantes. Elles l’ont fait en recourant au paradigme de la méta-criticalité cher au modernisme, conférant aux œuvres les plus régressives le statut d’image spéculaire, à la fois duplice et critique, de la culture de la bêtise qui les générait. Pointe alors le paradoxe suivant : alternant entre l’enthousiasme forcené et la déploration, la critique d’art des années 1990 a intellectualisé l’anti-intellectualisme le plus radical. (shrink)

We extend de Finetti’s (1974) theory of coherence to apply also to unbounded random variables. We show that for random variables with mandated infinite prevision, such as for the St. Petersburg gamble, coherence precludes indifference between equivalent random quantities. That is, we demonstrate when the prevision of the difference between two such equivalent random variables must be positive. This result conflicts with the usual approach to theories of Subjective Expected Utility, where preference is defined over lotteries. In addition, we explore (...) similar results for unbounded variables when their previsions, though finite, exceed their expected values, as is permitted within de Finetti’s theory. In such cases, the decision maker’s coherent preferences over random quantities is not even a function of probability and utility. One upshot of these findings is to explain further the differences between Savage’s theory (1954), which requires bounded utility for non-simple acts, and de Finetti’s theory, which does not. And it raises a question whether there is a theory that fits between these two. (shrink)

Epistemic modals have peculiar logical features that are challenging to account for in a broadly classical framework. For instance, while a sentence of the form $$p\wedge \Diamond \lnot p$$ (‘p, but it might be that not p’) appears to be a contradiction, $$\Diamond \lnot p$$ does not entail $$\lnot p$$, which would follow in classical logic. Likewise, the classical laws of distributivity and disjunctive syllogism fail for epistemic modals. Existing attempts to account for these facts generally either under- or over-correct. (...) Some theories predict that $$ p\wedge \Diamond \lnot p$$, a so-called epistemic contradiction, is a contradiction only in an etiolated sense, under a notion of entailment that does not always allow us to replace $$p\wedge \Diamond \lnot p$$ with a contradiction; these theories underpredict the infelicity of embedded epistemic contradictions. Other theories savage classical logic, eliminating not just rules that intuitively fail, like distributivity and disjunctive syllogism, but also rules like non-contradiction, excluded middle, De Morgan’s laws, and disjunction introduction, which intuitively remain valid for epistemic modals. In this paper, we aim for a middle ground, developing a semantics and logic for epistemic modals that makes epistemic contradictions genuine contradictions and that invalidates distributivity and disjunctive syllogism but that otherwise preserves classical laws that intuitively remain valid. We start with an algebraic semantics, based on ortholattices instead of Boolean algebras, and then propose a possibility semantics, based on partial possibilities related by compatibility. Both semantics yield the same consequence relation, which we axiomatize. We then show how to lift an arbitrary possible worlds model for a non-modal language to a possibility model for a language with epistemic modals. The goal throughout is to retain what is desirable about classical logic while accounting for the non-classicality of epistemic vocabulary. (shrink)

Neste artigo, discutiremos e contextualizaremos a noção de democracia selvagem dentro da teoria democrática de Claude Lefort. O texto será dividido em três partes. Primeiramente, apresentaremos as ideias fundamentais do pensamento político do autor. Em seguida, analisaremos o papel da ideia de democracia selvagem em três textos de Lefort: dois dedicados ao evento de Maio de 68, A desordem nova e Releitura, além do prefácio à segunda edição da obra Éléments d'une critique de la bureaucratie. Por último, apresentaremos a discussão (...) recente nos estudos lefortianos sobre a fecundidade do termo "democracia selvagem", relacionando, principalmente, dois temas importantes para Lefort: a dimensão do conflito nas democracias e a relação do direito com as lutas democráticas. (shrink)

In book 8 of his Naturalis historia, Pliny the Elder mentions the particularly savage character of some monkeys. Most editions and translations of Pliny’s text maintain that the reference to the fierce nature of these animals concerns both the cynocephali and the satyri. However, in the manuscript Riccardianus 488 (R in the transmission of Pliny), a second hand, contemporary to the period in which the text was copied, added supra lineam the obscure term *miarsima, which would refer to the (...) nature of the satyri in opposition to that of the cynocephali. By examining part of the ancient zoological and geographic traditions, in particular the De natura animalium by Aelian, this article defends editing the text of Pliny with the adjective mitissima, already present in the first printed editions of the Naturalis historia, as follows: Efferatior cynocephalis natura sicut mitissima satyris. (shrink)

A critical examination of the history of theories and uses of concepts such as ‘primitive’ and ‘savage’ in the academic study of religion in imperial, colonial and postcolonial contexts is particularly urgent in our time with its demands to decolonise Western models of knowledge production. In Savage Systems (1996) and Empire of Religion (2014), David Chidester has contributed to this project by relating the invention and use of terms such as ‘religion’, ‘primitive’ and ‘savage’ by theorists of (...) religion in European imperial metropoles to South African colonial and indigenous contexts. This article intends to take Chidester’s project further by relating Gerardus Van der Leeuw’s phenomenological analysis of ‘primitive mentality’ (particularly in De primitieve mensch en de religie, 1937) to Chidester’s analysis and postcolonial critique of imperial theories of religion. By taking animism and dreams in Chidester’s and Van der Leeuw’s works as example, it is argued that in spite of the latter’s decontextualised use of ethnological material, a fundamental shift occurred in the judgement of ‘primitive’ religion from Tylor’s evolutionary to Van der Leeuw’s phenomenological analysis, which is contrary to claims according to which modern theories are unanimously denigratory of indigenous religions. (shrink)

The author aims to use Kuchipudi Indian classical Hindu dance to educate non-Hindus about Hinduism with postcolonialism in mind. This goal arises from her dance experiences and the historical era of imperialism. Colonization occurs when those in power believe there is a need to dominate in a manner that subjugates people. Colonizers created colonies as they moved into territory because they felt there was a need to “civilize” the so-called savages of the land. Postcolonialism is an intellectual discourse that confronts (...) the legacy of colonialism and attempts to de-colonize. With the legacy of colonialism and a postcolonial lens in mind, some research questions arise. How does she, as a Kuchipudi dancer, use Hindu dance to educate non-Hindus about the Eastern literature of Hinduism? For non-Hindus, she feels the power of the exoticizing gaze when she dances, which might very well block the educational intention of the dance. This exoticizing gaze prevents the understanding of the traditional nature of the dance and the introduction to Hinduism as a world religion. The author’s problem is moving the exotic gaze of non-Hindus to an educational gaze that seeks to learn about the ethics of Hinduism in a manner that takes into consideration the multiple perspectives of the complex society we live in today. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Shimmering Maya and Other EssaysPatrick HenryThe Shimmering Maya and Other Essays, by Catharine Savage Brosman; 149 pp. Baton Rouge: Louisiana State University Press, 1994, $24.94.When the author was fifteen, she held the rank of “prospector” at Girl Scout Camp. Now, over forty years later, she is “digging down through the layers, sifting through the running stream of memory” (p. 14). Her art of prospecting affords the (...) reader a linear impression of a journey that begins with “The Shimmering Maya,” a recountal of a family move in August 1944 from Colorado to South Texas. “Desert Silvery Blue” describes life in Alpine, Texas, while “Leaving for Good” narrates her experience of displacement as she departs Alpine in 1951 to attend Rice Institute, known then as “the atheist school” (p. 37). From Alpine to Houston, she experiences the greening of America and the shock of Gulf Coast humidity, “a sensation of being hit in the face and smothered” (p. 42). At Rice, she finishes her degrees, travels to France, her intellectual home, and returns, in “Cherry Time”—“Yes, Virginia, there is a Virginia” (p. 52)—to describe her life in full bloom during this relatively short but intense period, spent in and around the state of Virginia, before her permanent move to New Orleans. Two essays conclude the volume even as they bend back toward its beginning. “Winter Light” narrates the life of her grandfather, Edward Hill, newspaperman, teacher, doctor, writer, and formidable learner whom she knew only in the winter of his life but whose light illuminated her being and “whose heir I feel, or wish, myself to be” (p. 130). “Turn My Face Out to the West” recounts a recent camping trip in New Mexico but, more profoundly, a return to the Western land of her youth. Like the Anasazi and Pueblo Indians, she too was born there and, reclaiming their heritage as partly hers, extols their solar-based science, courage, sense of community, independent spirit, and love and respect for the land.Brosman paints being, however, as well as becoming. Essays six through eleven focus more centrally than the others on her habitual self: her self-portrait as teacher, scholar, poet, traveler, and traditional woman. As a teacher of language, she offers “at once an end and a means” (p. 86) and, as literature teacher, not “entertainment chiefly but the pursuit of truth” (p. 88), undogmatically attempting to elicit self-awareness without imposing a single view. [End Page 136] A traditional woman who has never felt uncomfortable around men and doesn’t consider them her enemies, Brosman thinks Women’s Studies are “regressive” (p. 84), deplores language “barbarisms” such as “chairperson” and “herstory” (p. 75), and holds for a “nongendered intellectual patrimony of arts, letters, and science” (p. 84). While she admits that it’s a miracle that all marriages don’t simply fall apart, the differences between the sexes, she argues, constitute “the whole basis for attraction” (p. 70), and she prefers her cigar-smoking husband “to men who boast about their Hollandaise sauce” (p. 70). Not interested “in valorizing only the male principle” (p. 70), she seeks “vigor of mind” in all persons and considers herself a “feminist in the cupboard,” one who operates within the family but travels freely and enjoys a rich professional life. She links herself to her Aunt Margaret and other “closet feminists” (p. 100) in her family’s history who demonstrated self-reliance and a sense of their own value, and argues, against de Beauvoir’s thesis in The Second Sex, that female work for American women of the nineteenth century did indeed, like male work, go beyond biology “to remake the world through invention (production)” (p. 102).Brosman demands a metaphysical self-consciousness that recognizes unhappiness, anguish, and disorder but concomitantly posits the good life as the synthetic unity of the mind, body, and heart. This metaphysical consciousness is deeply rooted in the physical world—we are not only in the world but of it—and in a shared sense of place and a commitment to communal enterprises. Her thought is perhaps above all characterized throughout by a sense of “grace” and the “intimation of... (shrink)

Jean-Paul Sartre is the author of possibly the most notorious one-liner of twentieth-century philosophy: 'Hell is other people'. Albert Camus was The Outsider. The two men first came together in Occupied Paris in the middle of the Second World War, and quickly became friends, comrades, and mutual admirers. But the intellectual honeymoon was short-lived. In 1943, with Nazis patrolling the streets, Sartre and Camus sat in a café on the boulevard Saint-Germain with Simone de Beauvoir and began a discussion about (...) life and love and literature that would pull them all together and finally tear them apart. They ended up on opposite sides in a war of words over just about everything: women, philosophy, politics. Their fraught, fractured friendship culminated in a bitter and very public feud that was described as 'the end of a love-affair' but which never really finished. Sartre was a boxer and a drug-addict; Camus was a goalkeeper who subscribed to a degree-zero approach to style and ecstasy. Sartre, obsessed with his own ugliness, took up the challenge of accumulating women; Camus, part-Bogart, part-Samurai, was also a self-confessed Don Juan who aspired to chastity. Sartre and Camus play out an epic struggle between the symbolic and the savage. But what if the friction between these two unique individuals is also the source of our own inevitable conflicts? The Boxer and the Goalkeeper: Sartre vs Camus reconstructs the intense and antagonistic relationship that was (in Sartre's terms) 'doomed to failure'. Weaving together the lives and ideas and writings of Albert Camus and Jean-Paul Sartre, Andy Martin relives the existential drama that still binds them inseparably together and remixes a philosophical dialogue that speaks to us now. (shrink)

Keith Jenkins es uno de los pensadores postmodernos más conocidos en el ámbito de la reflexión historiográfica occidental. Sin duda, junto con Hayden White y Frank R. Ankersmit, conforma el trío más influyente de la corriente historiográfica postmoderna. Vamos a exponer en este trabajo la evolución de la obra de Jenkins desde lo que llamamos una crítica radical a la historiografía académica hasta lo que podemos considerar una auténtica aversión a la forma de aprehensión del pasado, tal y como es (...) concebido, practicado y usado en la actualidad. Hemos dividido en dos apartados nuestra exposición para dar cabida así a estos dos momentos clave en el desarrollo de su teoría y de su obra: el momento difusor de la crítica postmoderna a la historiografía y el momento de la expulsión de la historiografía de cualquier proyecto político emancipador. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)